Senin, September 30, 2013
Rabu, September 25, 2013
❥ Watch Unbroken Full HD 4k

Academy Award (R) winner Angelina Jolie directs and produces Unbroken, an epic drama that follows the incredible life of Olympian and war hero Louis "Louie" Zamperini (Jack O‘Connell) who, along with two other crewmen, survived in a raft for 47 days after a near-fatal plane crash in WWII-only to be caught by the Japanese Navy and sent to a prisoner-of-war camp. Director Jolie began shooting some of the most dramatic and challenging scenes on Wednesday, October 16, on location far out at sea in Moreton Bay, Australia, with Zamperini (O‘Connell) and his fellow airmen-Phil (Domhnall Gleeson) and Mac (Finn Wittrock)-having impossibly survived being adrift in the open Pacific for several weeks. Working with cameras on a floating rig in choppy waters and braving the elements, with actors dieting for months to appear as depleted as their characters, Jolie completed a successful first day of a location shoot that promises to be rigorous and uniquely challenging. Adapted from Laura Hillenbrand‘s ("Seabiscuit: An American Legend") enormously popular book, Unbroken brings to the big screen Zamperini‘s unbelievable and inspiring true story about the resilient power of the human spirit. Starring alongside O‘Connell, Gleeson and Wittrock are Garrett Hedlund and John Magaro as fellow POWs who find an unexpected camaraderie during their internment, Alex Russell as Zamperini‘s brother, Pete, and in his English-language feature debut, Japanese actor Miyavi as the brutal camp guard known only to the men as "The Bird." The film is produced by Jolie, as well as Matthew Baer (City by the Sea), Erwin Stoff (The Day the Earth Stood Still) and Clayton Townsend (This Is 40). Leading the accomplished behind-the-scenes crew is 10-time Oscar (R)-nominated cinematographer Roger Deakins (Skyfall). Academy Award (R) winners Joel and Ethan Coen (No Country for Old Men) rewrote the screenplay from earlier drafts by William Nicholson (Les Miserables) and Richard LaGravenese (HBO‘s Behind the Candelabra)..
About Unbroken
Artist : Jack OAs : Lou Zamperini
Title : ❥ Watch Unbroken Full HD 4k
Release date : 2014-12-25
Movie Code : 1809398
Duration : 137
Category : Drama
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The truest testament to the film's strength is the degree to which it all but achieves greatness.

"Unbroken" stirs a moviegoer by default; it's an astounding story of human endurance that has been brought a little too safely to the screen.

One of the finest achievements of the 2014 film year.

If you can take it, "Unbroken" will lift you like the classics of adventure cinema.

This will be a tough film for some to take. But it also has strong appeal as an extraordinary survival story, and Laura Hillenbrand's first-rate book that inspired it has not been on the best-seller lists for four years for nothing.

"Unbroken" is a rousing old-fashioned yarn with numerous exciting set-pieces and an uncomplicated hero you root for all the way through. It's entertaining throughout and made with a high level of technical skill.

You find yourself happy that this film exists, but wishing it were better.

As a castaway story, a historical drama and a portrait of an Olympian turned soldier, "Unbroken" is a touching and important work.

An interminable, redundant, unnecessary epic devoted to suffering, suffering, suffering.

Jolie hasn't done a disservice to Zamperini's life, but it's hard to know what she was trying to tell. It's Zamperini's story in fact and circumstance, but somehow, he feels like an enigma.

A straightforward and entirely commendable story about the triumph of the human spirit, etc.

Well-crafted and compelling, but director Angelina Jolie's best contribution was casting the unknown Miyavi in a pivotal role.

All the movie's tension comes down to whether Zamperini can withstand Watanabe's abuse, which is probably when it's helpful to forget the title.

Jolie has made a grand, solid movie of the Zamperini story, but O'Connell is the part of Unbroken that was truly worth the wait.

In a well-made, but one-note film.

More a series of similar events than a story, and lacks an underlying message except that torture hurts.

What the movie ends up in desperate need of is a sense of life made real and palpable through dreadful, transporting details, not a life embalmed in hagiographic awe.

Though O'Connell's vulnerable lead performance is terrific, Unbroken's unrestrained hero worship undermines the story.

It is a harrowing journey, and an inspirational one. But, as director, Jolie takes far too long to tell it, particularly in such a conventional manner.

Angelina Jolie's film as a director is a gorgeously shot and hardhitting old-school war drama - but still somehow fails to get under its subject's skin.

This passion project for Angelina Jolie shines with her abiding love for Louis Zamperini and his courage under fire. In honoring Louis' endurance, she does herself proud.

A good 45 minutes of the movie consists of showing Louis getting beaten up, then healing; getting beaten up, then healing, over and over.

Handsome, alert and intensely focused, little-known English actor Jack O'Connell is a fine choice as Louis. And Japanese pop star Takamasa "Miyavi" Ishihara shines as "The Bird,' Louis' sadistic captor and war criminal in training.

A bit embalmed in its own nobility, it's an extraordinary story told in dutiful, unexceptional terms, the passionate commitment of all involved rarely achieving gut-level impact.

"Unbroken" makes for a grueling experience, which is not quite the same as a memorable one.

Though Jolie is shooting for Christ-like passion and redemption, she only ends up slathering one man's very real, very morbid struggles in the usual reductive "greatest generation" sentiment.

If nothing else, it's certainly better than the last time a good-looking Hollywood star decided to direct a movie about WWII. But the less said about George Clooney's The Monuments Men, the better .

There's a lot to like about the movie. Its presentation is straightforward, chronicling Zamperini's amazing tale without flinching.

A beautifully shot, well-acted, and worthy-to-a-fault Second World War survivor story that only intermittently achieves the kind of emotional impact for which it aims.

This great, tough-skinned movie can stand with the muscular action dramas that are a crucial part of American movie canon.

The film boasts both sheen and efficiency without always delivering an equivalent emotional impact. It's easier to be awed or impressed by it than moved.

Jolie is more fixated on gore than grace. In making us feel every crushing blow - the better to burnish her reputation as a serious director - we're shortchanged on the beauty of Zamperini's story

Unbroken is a fitting title for this excruciating cinematic treatment of the flyboy's ordeal. It plays like an endless, unrelieved gauntlet of suffering, an onslaught untempered by grace or redemption.

Zamperini's life story is genuinely inspirational, but the movie seems fashioned as a standard-issue profile in courage.

For Jolie, it's all about the suffering, without much meaning.

Despite its many impressive elements, "Unbroken" plays incomplete and unbalanced.

Given its subject, it should have been great, but it turns out to be simply good.

It's moving, admirable, and occasionally exhilarating. What it's missing is the one thing that could always be counted on with Jolie as a star: the spark of danger.

Jolie gets the dirty/ennobling job done.

The bigger problem is that neither Jolie nor the script bothers to flesh Louis out as a fully formed person with faults and fears and regrets, which keeps the film from ever capturing you emotionally.

A tale of endurance, "Unbroken" takes endurance to sit through.
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Senin, September 23, 2013
Teenage Mutant Ninja Turtles: Out Of The Shadows Cinema Pergamino

Leonardo, Raphael, Michelangelo, and Donatello return to clean up the streets of New York City in this sequel to the 2014 Platinum Dunes hit.
About Teenage Mutant Ninja Turtles: Out Of The Shadows
Artist : William Fichtner, Will Arnett, Tyler Perry, Megan Fox, Brian TeeAs : April O'Neil, Casey Jones, Raphael, Eric Sacks
Title : Teenage Mutant Ninja Turtles: Out Of The Shadows Cinema Pergamino
Release date : 2016-06-02
Movie Code : 3949660
Duration : 97
Category : Action, Adventure, Comedy, Fantasy, Sci-Fi
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A loud, unattractive and most likely successful sequel to the 2014 hit.

If ever there was a movie that should not have been made, this is that movie.

As with the best popcorn flicks, Out of the Shadows offers plenty of mindless entertainment and mind-numbing silliness.

Teenage Mutant Ninja Turtles doesn't so much provide brainless enjoyment as it pummels the viewer into submission. "Shell-shocked" is a reasonable description of the experience.

This one at least seems to know it's stupid and the story, incomprehensible as it is, offers more opportunity for levity, which you sorely need in a movie with a cartoon warthog picking its nose.

What the new Teenage Mutant Ninja Turtles lacks is not fidelity, but a spirit of genuine boyish fun - the sense that anyone involved saw more than a very specific shade of green in the freshly digital scales of these 30-year-old characters.

Your 11-year-old is going to love this film. Then he'll grow up and wonder what he was thinking.

a torturous mindf-k for any sentient being over the age of infancy.

Cowabunga, dudes.

This is as generic as Hollywood gets.

Like a well-plated but nutrition-free meal, it registers on the senses while being bad for you.

The repartee, as ever, is weak. Even with all the extra layers of digital detail, it's still tough to keep these four straight.

If you thought Michael Bay had forgiven Megan Fox for saying he was "like Hitler," this new April O'Neil role is proof he hasn't.

Attached to this movie, the title no longer sounds zany; it looks like a series of keywords.

Rougher and slightly funnier than the 1990 original, but still harmless junk at best.

Your kids may not mind it, but it's more insistent than it is fun.

To say that this installment of the latter series is superior to its predecessor is damning it with faint praise, but it's likely to reasonably satisfy tykes (and certain nostalgic oldsters-you know who you are).

It's pretty much business as usual: one personality trait per turtle (with the most screen time for party-dude Michelangelo), lots of wisecracks, plenty of thin-crust product placement (Pizza Hut this time around), and even a last-minute cowabunga.

"Teenage Mutant Ninja Turtles: Out of the Shadows" is a Saturday morning cartoon on Michael Bay steroids. For the under 12 set, that's fine. For the rest of us? It's something to actively avoid.

Take one part 3-D visual bombast, add a healthy dose of non-stop action and sprinkle in one helluva silly storyline - plus those fast-talking, even faster-moving hard-shell siblings - and you have the essence of [TMNT: Out of the Shadows].

It's just kind of a mess, as unfocused and immature as the four mutant turtles at its core. Stuff happens, stuff blows up and this is probably a good time to mention that Michael Bay produced the film.

It's essentially a Transformers movie - a Michael Bay production complete with mass destruction, urban panic, white-hot lighting, inane quips, product placement, explosions and, well, Megan Fox.

In one way, Teenage Mutant Ninja Turtles is a triumph for producer Michael Bay in that it is equally as godawful as his Transformers: Age of Extinction and a hit nonetheless.

The Turtles' place in today's superhero landscape is an odd one, operating somewhere ibetween Marvel's streamlined efficiency and DC's foreboding inconsistency. Out of the Shadows tries to incorporate elements of both and ends up a soupy mess.

School will soon be out, and so will the children for which this fast-paced CGI exposition is made.

Liebesman relies on his genre-film resume to keep events moving at a brisk clip and the motion-capture process employed to facilitate live-action integration with cutting-edge VFX looks superior onscreen .

Turtles fans might have been looking for their own Avengers. They get Alvin and the Chipmunks on performance enhancers and mass-market pizza instead. In Hollywood, history repeats first as farce, then as marketing.

"Out of the Shadows" is by no means a really good pizza, but if you liked the last film, it's worth a slice.

Too-brief thrills only shine a harsher light on the film's laborious pacing and cringeworthy one-liners spilling from the maws of the ninja teens.

Even youngsters may wonder why any hint of charm or fun has scurried away. Those new to the franchise may withdraw their head into their neck, turtle-like.

Being a human in this movie is a fairly thankless task.

Is there a word that means the opposite of Cowabunga?

A movie that takes its characters and its premise seriously, until it doesn't, and that operates at two speeds: tortoise (ponderous) and hare (head-spinning).

Forget cowabunga, this is cowadunga.

There's enough turtle power to please kids and fans of the original series.

The kind of cliched, misfit crimefighters-versus-demented villains scenario that Kevin Eastman and Peter Laird happily parodied when they came up with the original Teenage Mutant Ninja Turtles comic books way back in the 1980s.

Every bit as noisy, brain-numbing and lowbrow as its predecessor, the Michael Bay production never strays from basic blockbuster formula.

While this reboot is fun, it's also forgettable and occasionally infuriating.

I had to draw on my own ninja training and reflect intensively on the transitory nature of all phenomena, just to fend off the profound yearning for death.

There's no lack of craft here, but there's certainly an absence of character.

"Teenage Mutant Ninja Turtles" is designed to fill a pipeline, a matter of volume more than quality. It's bland, familiar, lazy and drunk on a deadly mix of nostalgia and unthinking adrenaline.

Teenage Mutant Ninja Turtles is a reboot that plays as if it were made from a starter kit. Everything comes right out of the 2014 blockbuster catalog.

Better title: "When Really Ugly CG Creatures Fight."

For having gone to the trouble of making a self-descriptive movie called Teenage Mutant Ninja Turtles, its producers seem ultimately unsure about its most basic concept.

Neither a particularly good movie nor the pop-cultural travesty that some were dreading.

This movie is, it happens, easier to sit through than the 2014 film.

Not much of an effort is made to differentiate the personalities of the turtles, who all frankly look as grotesque as a Terry Gilliam cartoon.

There is something half-hearted about the entire film, as if those behind it were involved not because they wanted to make it, not because they should make it, but just because they could.

A headache-inducing $135 million sequel to the 2014 blockbuster, TMNT: OOTS becomes intolerable after about 32 seconds.

Feels remarkably like it was conceived and created by (as opposed to merely for) 12-year-old boys.

Despite the title, the wisecracking turtles named for Renaissance painters are never allowed to shine. It's a bummer, dude.

There's a heavy-handed emphasis on the importance of brotherhood and being true to yourself, but mostly, the emotional stuff takes a backseat to all the pizza, pranks, and flaming garbage trucks that shoot manhole covers like projectiles.

The comedy-action mash-up is as weird as if the Dark Knight took a break from belting the Joker to plug Pizza Hut and bang out a hiphop beat on his nunchucks.

Out Of The Shadows is every bit as mercenary, nonsensical, and loud as a typical Michael Bay production (the pop soundtrack cues may be even louder, and make even less sense).

The light, comedic tone is weighed down by unimaginative pop-culture references and half-witted one-liners.
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